One of the most common mistakes on the two-handed backhand technique is the lack of hip/body rotation into the shot.
The player usually engages the shoulders and arms first and only then pulls the hips with them instead of initiating the stroke through the legs and hips.

One of the most common mistakes on the two-handed backhand
Two-handed backhands like that lack power and consistency because the biomechanics of the stroke are incorrect and the stroke can never function well.
This technical problem may be obvious to a tennis coach, and the coach usually incorrectly assumes that the player knows in theory how the stroke needs to be executed and that, for some reason, the player is unable to move their body (legs, core, arms, hands) in the correct way.
But, it turns out that these players actually have an incorrect mental image of the stroke and that they are executing the stroke the way they think is right.
So, it’s not that they have a mechanical problem with their stroke; rather, there is actually a psychological reason behind this incorrect stroke technique.
Why Does The Player Imagine The Stroke Incorrectly?
It turns out that, even though everyone now has a chance to observe a pro’s stroke in super slow motion and freeze the video at any point, many players are still unable to see the fundamentals of a stroke.
Tennis strokes are complex, and most players and coaches focus their eyes on the racket movement, which prevents them from noticing what the whole body is doing.
Players also like to observe footage of a pro in a real match where the pro is many times stretched to the limit of human abilities and has to improvise in many ways to still execute a stroke.

A forehand stroke in practice vs a forehand stroke in a match situation
Therefore, players create a mental image of a stroke that is an improvisation rather than a fundamental.
It is much better to study the pros hitting in the warm-up session where they execute strokes slower and almost always demonstrate perfect fundamentals of a tennis stroke.
The Most Common Flaw Of The Two-Handed Backhand
So, how can we check and diagnose what the player’s mental image is – and why is that so important?
I will show you a very simple way of diagnosing an incorrect mental image with this example of the two-handed backhand. However, this principle can be applied to any stroke.
What I do is to simply hold a ball still a couple of meters from the player and ask them to position however they want for the stroke and stop their racket at the ball.

A very simple way of telling how to the player imagines a stroke
Since the ball is still and waiting for them, they have all the time they need to position according to what they believe is the correct stroke technique.
We can then observe in detail many elements of the stroke like:
- alignment to the ball (too closed, too open, too close or too far from the ball, etc.),
- balance (checking their feet and their stability on the ground),
- grip(s),
- head position, and so on.
As you see in the case of the first player, his position was too far sideways to the ball, which caused him to contact the ball to his side.
He is also very unstable in that position as he is reaching for the ball.
From this position, he can use only his arms as he is unable to rotate his body into the ball.
While a tennis pro may recognize immediately that this is not the correct two-handed backhand technique and alignment to the ball, the recreational player actually imagines the stroke like this.
If a pro does not realize that the player is imagining the stroke incorrectly, then the pro will have difficulty correcting the player’s technique because the player will keep reverting to his original mental image of the stroke.
It is, in fact, very likely that no improvement of the stroke technique will be made in the long term in cases like this.
If we want the player to move their body parts differently, they need to see the stroke correctly in their mind’s eye.
They need to realize that their mental image is wrong. They need to understand where they got it wrong and what the right mental image is.

The player must have a clear mental image of the stroke especially at contact!
Only when the player sees/imagines the stroke correctly can we expect likely improvements of the stroke technique, assuming that the pro has the right methods to reprogram the old ingrained movements.
The player must also understand how the stroke works from the biomechanics and physics point of view, especially if we are talking about an adult.
Most adults want to understand things logically, even though that is not necessary for learning new movements.
How else could we teach 8- to 10-year-old children sound tennis technique when they don’t really understand biomechanics and complex explanations and they don’t even ask questions?
We simply teach them through correct progressions of physical feel-based exercises through which they acquire new movement patterns.
I understand that the majority of the readers of this website are adults, and I therefore explain tennis stroke technique in detail. Even so, keep in mind that I can teach a 10-year-old child very good tennis technique without such detailed explanations.
I just make them do drills and wait for the brain and body to adapt to the stimulus (exercises) done in practice sessions. Most of the explanations are about executing the drill correctly and not about the biomechanical complexity of the stroke.
Understanding The Issues With The Stroke Technique
Let’s return now to the two-handed backhand example where I hold the ball still for the player and they try to position their body and the racket in a way they think is right.

Because the ball is still and the player has lots of time to position it, they become more aware of the discomfort they feel when they are in an incorrect position.
Many times, the coach doesn’t even have to correct the player; they do it by themselves as they become aware of the problems like setting up too far from the ball and reaching or leaning so that they are out of balance and so on.
You may wonder why the player doesn’t realize these problems during rallies.
Most recreational tennis players play most of the time for points, and they are way too stressed and focused on tactics to recognize the discomfort of an incorrect stroke technique.
So, I really recommend that you play lots of free hitting sessions where you can become aware of the problems with your strokes yourself and correct many of those simply through awareness and adjustments.
Initiating The Two-Handed Backhand Through The Hip Rotation
As you saw, both players in the video above had the same mental image of the stroke (as most players actually do!) and did not know that they need to initiate the stroke through the hip rotation.
This is not just a matter of knowing.
This mistake happens in most cases because the brain finds it easier to time the stroke using only the arms than the whole kinetic chain of the body, which requires much better coordination of a large number of muscles.
So, while the stroke is much more effortless and powerful when we engage the whole body, the brain doesn’t naturally find that because it is initially much harder to put together complex body movements and time them accurately to hit a small, fast-moving tennis ball with a racket in the hand.
The correct way to hit a two-handed backhand is to position more behind the ball and initiate the stroke through the legs and hips first.

The goal of this video article is simply to show you how a tennis coach can diagnose an incorrect mental image of the player as the actual cause of the incorrect stroke mechanics using a two-handed backhand example.
If you want to dive deeper into the two-handed backhand stroke technique and learn the exercises that help you engage the hips into the stroke (and many other technical tips), then take a look at the Two-Handed Backhand Video Course.
In addition, I will soon publish a free two-handed backhand video article where I’ll cover the key technical checkpoints and progressions on how to develop a reliable and strong two-handed backhand.
Top article! I appreciate this very much.
Wow Thomaz! My coach had just reminded me yesterday to get my hips into my two-handed backhand and I still wasn’t able to do it correctly. Then today your tip arrived in my email…now I understand why I was not able to correct myself.
I can see that we never addressed my inner picture of the stroke. I can’t wait to get out and practice getting behind the ball.
Thank you so much for explaining tennis in a way that is unlike anyone else… you are truly a gift to all of us that work so hard to improve our game.
Much appreciated, Sue! Yes, you need to be crystal clear on how you want to be at contact in order to correct the stroke well.
Hello Tomaz,
Great. I agree with you completely. If i have a right image in my brain about what i wanna do, i will excute my stroke correctly in the right time. The idea is that how can i help my player to build the right image in his head and put stress on to make it stationary. For that i have to expose my player with more sorts of methods to build the right image in his brain.
For example: I sit with my player to see one video about a good example of backhand and help him to realize this short video maximum 10 min. And then directly we practice that in the tennis field. During that if i felt as a coach that my player missing for one thing i go with him again and make it for him as a slow motion to make it easy for him and afterwards go again in the tennis field to practice again and so on until i feel that my player really absorbed the right image. In fact. It is not easy to do that. Because we are all different in terms of our imagination. The art thing here that the coach has to realize the missing thing about each individual. But as the same time each individual also needs sometime his training with a group. In my opinion, the good coach has to be like artist.
Thank you Tomaz for your ideas. They are really touch my feelings.
All the best my friend,
Khaled Hegazy
Thanks a lot, Khaled.
When you’re watching a video with your student it may seem simple and obvious to you because you watch tennis strokes for years and see what others don’t.
There is a massive amount of information or data when we observe just one stroke from start to finish.
Tennis strokes are complex and happen quickly.
Therefore players miss details and simplify the strokes in their mind’s eye because they simply cannot handle the complexity of what they see.
So we need to break the stroke down into images and have them look at them.
The key point I am bringing up in this article is that what really matters is where the contact point needs to be and how the body (legs, arms, etc.) need to be at contact.
You can continue with video analysis but just add this moment into your lesson and check how the players imagine the contact point position and whether they are aware of the body rotation into the contact or are they only adjusting their arms.
Hi Tomaz,
Yes! I find your idea of the “concept” of a stroke so simple and yet so overlooked. That they are hit on the side rather than in front. It is so clear to me now but was not as clear to me before. I saw that you also shadowed a one handed backhand as well. I realize that there is less hip rotation on the one hander. But do you think there is also a similar flaw in the one hander. And that some people hit it more on the side than they should whether one handed or two.
Thanks again for the great tips!
Arturo
Thanks, Arturo.
The one-handed backhand has an ideal contact point even more in front than a two-handed backhand so timing wise it’s probably even more difficult for players to get it right.
So again, the key question I ask in this article is whether the player knows what the ideal contact point and body position are and cannot execute them properly because they may not be able to judge the ball well or have poor reactions and movement skills – OR they actually don’t know how they are supposed to be at contact.
In my experience many players don’t know how they are supposed to be at contact. Which is the key point I also want to share here.
They know about unit turn and extending and follow-through, etc., but they don’t know how their body (legs, arms, hands / wrist) should be at contact since that is the moment when we transfer energy from our body movements into the ball.
One should know with crystal clarity 😉 how to be positioned with all body parts at contact for all strokes.
Since in reality that’s what I am trying to do while I am playing.
I am trying to meet the ball at a certain distance from my body in a certain body alignment in order to have the most power with the least effort and the best chances of controlling the ball.
On the subject of “hips” and perhaps a bit off-topic here… Why do pro tennis players experience serious, career-threatening, life-altering, hip-related problems — those requiring surgery/replacement?
My best guess is because of frequent changes of direction that stress the hips and because of hard court surfaces that don’t give in. Then unfortunately body parts have to give in…
Excellent idea Tomaz. Would you have any links to clips of slow motion forehands that are good examples of ideal point of contact – maybe Del Potro or others?
Hi Thomas,
Any pro in a warm up session will be a perfect example.
I like this one:
https://www.youtube.com/watch?v=tZNfUTnBjAk
Sure, Delpo is good too:
https://www.youtube.com/watch?v=9sbe1XKgrME
Djokovic textbook (note the stability of the front foot):
https://www.youtube.com/watch?v=Me1tzm1nnWk
All time you open new window front of me
You are great
Hello Tomaz,
I hope you are doing very well, my name is Ivan Ugalde, I am from Costa Rica, very far away from your headquarters. I just wanted to say that your tennis insight, your online courses, internet videos and general tennis advice is great, your insight and perspective on tennis technique and biomechanics is totally unique and eye opening, congratulations, please keep up the excellent job that you’ve been doing all this time. I wish I could travel to Eslovenia and have you as my coach, that would be absolutely great.
I am 51 years old, started playing tennis when I was 45, I’ve never taken one single tennis class, I’ve seen thousands of tennis lessons videos on internet and I can feel how I have evolved my technique through these few years, slowly but steady, I can feel a much cleaner impact at the ball now with my flat and topspin one handed backhand, my slice backhand, my forehand and my serve.
I recently entered my very first C tennis tournament, made it to the final and won it. I am trying currently trying to work much more on my footwork, which is key to so many things in tennis.
From all the instructional tennis videos that I’ve seen through the years from all over the world, I think that yours are the best.
Best regards.
Ivan.
Thank you very much, Ivan, for such wonderful feedback.
It gives me the energy to keep doing what I love to do.
I’ll do my best to share more useful advice through this website.
Enjoy tennis and keep in touch!
close to perfection coach…wish others took the time to explain it..so solid advice…
I am a good 4.0 USTA. And always had a what I thought was a good 2 handed back hand. I notice lately I was hitting the balls late on my backhand. I saw your video about mental picture several months ago and it didn’t make much sense to me or I thought you are teaching beginners some basics which I must already know . Yesterday while free hitting I tried to take the ball early and naturally started getting behind the ball and instead of facing side ways the hips starting moving forward and your video flashed back !! I came home and saw what you were teaching. It amazes me that your insight in tennis is so profound. Most Instructional videos just bring some good players and show strokes but they can never explain the issues. Sorry for the long winded comment but I hope you realize you have a truly special talent diagnosing and fixing tennis mistakes
Thank you very much for this kind feedback, Rizwan!
Long comments are great because other visitors to the site can learn more from them.
Enjoy tennis and keep in touch.
Your concept of neutral stance foot shifts from your YouTube “Tennis at Home Practice — Rebuilding the Forehand Technique” at 6:00 gave me the key that shows up here. On backhand, when I focus on getting the left foot planted mostly behind the ball, then the right foot’s step toward the net makes the last moment adjustment. It is flexibly placed—forward but also a little left or right as needed. As you say in that video, no matter where the front foot is placed, the rhythm is the same. By contrast if I first line up the right foot in front, it ends up stuck and I’m leaning as the last adjustment. I’ve never seen or heard your concept anywhere else—thanks so much!
Thanks for the feedback, John!
Yes, we must set up / line up for the ball with the back foot first and then adjust with the front foot.
Tennis is a very complex sport, there are lots of little tricks and tips that make a big difference in the end…