January 18

Serve Rhythm In Tennis And How To Find It

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What is the rhythm of the serve in tennis, and why is it so important?

You may have heard a tennis commentator on TV state that “Roger has found his rhythm on the serve and now his first serve percentage is way above 60%.”

So, if even pros have to find that right rhythm to serve well, then it must be one of the key concepts on the serve that you must understand and know how to master.

The easiest way to describe the rhythm when serving is using the concept of rhythm in music – rhythm consists of beats and time between them.

That’s the foundation in tennis, too, but instead of beats we have movements.

The extra addition in tennis is that we need to perform those movements with different speeds.

When you’re serving, you’re performing a series of movements that need to move at certain speeds and there must be the right time delay or smooth transition between them.

Why Is Rhythm Important?

There are two main reasons we need to pay special attention to a proper rhythm:

1. It prevents tension from creeping in to your motion and therefore allows you to create a whip effect on your serve.

One of the most common mistakes when it comes to the rhythm on the serve is initiating the service motion too quickly.

proper serve rhythm

A proper rhythm allows you to remain loose during the service motion

By initiating the serve very quickly, we automatically become tense and lose that relaxed feeling that we need in order to accelerate the racquet very efficiently.

2. It enables you to serve at a very high consistency level.

Good servers take almost exactly the same amount of time from the moment they initiate the service motion to the moment of contact with the ball.

If you time the duration of their serve up until the contact, you’ll see that it differs very little throughout the match.

If their typical time of the serve motion is 1.8 seconds, you’ll rarely measure them serving at 1.7 or 1.9 seconds, and they will almost never make a difference of 0.2 seconds or longer.

Because of that exact timing of their service motion, they are able to replicate the serve that hits the service box accurately many times.

andy roddick serve sequence

Best servers in tennis have the most consistent rhythm

Even these precise servers sometimes lose that small, imperceptible, split-second timing in the serve and find it difficult then to hit first serves with high percentage.

The pros know they need to keep FEELING the rhythm of the serve and look for that FAMILIAR feeling when everything flows in harmony without any adjustments in the service motion. It’s that feeling of proper rhythm that gives them such high consistency.

The most common situation when we lose the rhythm is when we face a pressure situation.

Our instinctive response to pressure is to get away from it or to make it end quickly as it’s uncomfortable.

That instinct will also affect you when you’re serving on a big point, and it will very likely make you rush your service motion.

When you do that, you’ll basically serve at a different rhythm than you have been practicing for years ‒ and that’s why you’ll very likely miss the serve.

It’s critical to focus on your established rhythm when serving on key points and not allow that feeling of rushing or anxiety to dictate your serve rhythm.

Ways Of Finding Serve Rhythm

There are different schools of thought out there teaching you how to time your service motion.

a) Start very slow and then accelerate

While my take – which you’ll find below – is similar to this one, I don’t really recommend starting the service motion very slow.

That’s because you’ll have trouble tossing the ball high enough. If your tossing arm doesn’t move fast enough, the ball won’t have enough thrust to fly high enough.

slow serve toss

If you started really slow, the ball might not have enough speed to reach high contact point

So, I often see toss problems and arm coordination problems with players who were taught to start their service motion very slow.

b) The 2-1-3 rhythm

The usual approach to rhythm is to describe the speeds of three key parts of the serve as 2-1-3.

The 2-1-3 serve rhythm

Initiate the serve with speed 2, slow down to 1 around trophy position and accelerate to contact with 3

You can imagine these speeds as the gears in a car.

So, speed 2 is medium speed, 1 is slow and 3 is fast.

Speed 2 corresponds to the backswing, 1 to the trophy position and transitioning to the drop, and 3 to the upward acceleration towards the ball.

This is a good fundamental of the serve rhythm with one caveat: this approach has three parts that you need to focus on, and you may be “doing” too deliberately part 1 in the middle.

If you keep “doing” something, you’ll never really relax and loosen up your arm, will you?

The only danger I see with this approach is that you never completely loosen up during the serve, which is what you need to hit effortless serves.

c) The 2 – let go – 3

This is how I feel the rhythm in my serve.

Instead of “doing” the middle part where the racquet transitions from the trophy position to a drop, I “let that happen” by itself – because of the existing momentum that the racquet still has and because of gravity pulling the racquet down.

By letting it happen, I can create a very loose arm which I can then use like a whip to accelerate it fast and effortlessly into the ball.

The main reason I prefer this approach is that it’s the most natural and it is the same as if you’re throwing a ball.

If you hold a ball in your hand and decide to throw it far, you’ll very likely feel this same rhythm: namely doing a backswing, then having a little time delay in that transition behind you from which you’ll now accelerate forward.

throwing a tennis ball

The most natural rhythm is a throwing rhythm. Are you doing the middle part or does it happen?

You will very likely feel just two parts with one time delay in between them.

We don’t actually “do” the time delay there. We let it happen because it feels very comfortable and it allows us to smoothly transition to the acceleration phase, which is the key to creating a lot of speed for that final moment when the ball is released.

serve trophy and drop

The transition from the trophy to the drop phase just happens because of momentum and gravity

The wise Eckhart Tolle suggests that we not only pay attention to words that are being spoken but we also listen to the silence between them.

That takes our mind to new levels of awareness.

You may use this analogy also with the serve rhythm: instead of “telling” yourself what to do at every single moment of the service motion, perform the backswing first and then pay attention to doing nothing for a split moment before gently and smoothly transitioning to the acceleration phase.

Let that middle phase happen by itself without your constantly being in control.

That will take your perception of the service motion to new levels of awareness and therefore to higher levels of serving.

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Comments

  • I’ve been doing as you’ve suggested for about a year and it has really helped me retain a more consistent service rhythm during the ups and downs of a match; however, I use a three beat rhythm or in musical terms a waltz rhythm or 3/4 time. I’m sure all of your followers who have any musical knowledge will resonate with this approach. I actually hum to myself the opening bar of the Blue Danube before I serve.

    I count beat 1 as you demonstrate when my weight has shifted to my back foot.

    I count beat 2 when the ball leaves my tossing hand at eye level.

    I count a half beat when my knees bend.

    I count beat 3 when my racquet makes contact with the ball.

    So a musician would count: “one two and three”

    • Thanks for sharing, Dan. I would then assume that your “… and …” is the part where you let it happen and you’re not doing anything?

      • As you’re suggesting in your rhythm count, I’m not synchronizing the half “and” beat with my racquet action, however this half beat is definitely synchronized with my knee bend which I “feel” is a critical contributor to the rhythm of my serve’s kinetic chain.

  • Tomaz,

    Another gem!! As you know I have worked on serve a lot. What I stated to feel as my rhythm improved is that the acceleration phase began to happen faster and faster. It was as you state with an extremely loose arm. But most importantly it felt like the acceleration phase was VERY fast. So I prepared and tossed and could feel my legs slowly tense up. But then suddenly there was a swing and the serve was over.

    Is that what you mean by letting it happen on its own?

    Arturo

    • Hi Arturo,

      Since you say that “suddenly there was a swing”, it does sound like there was a part of the serve where you were letting go of “doing” something all the time and that’why the acceleration was so fast. Namely you were loose.

  • This article could have been written just for me, just now. Over the last couple of years my serve has ranged from fabulous (for my level) to me hardly being able to find contact. My mechanics are basically sound, but the sensation I have been having of two steps forward and two steps back has revolved around just feeling insecure about the rhythm, sometimes obviously nailing it, sometimes feeling rushed, but not being able to identify and repeat either end of the spectrum. Some years ago I settled on a fairly low toss, which I have since come to understand was too low to allow me to relaxedly do the technique I know how to do. But changing the toss was not enough, because my rhythm just was not stable. I am going to work with this approach to it, and I will let you know how I do.

    • Try always throwing a few balls with your arm before you start serving, Robert. And just “listen” to the rhythm.

      The technical aspect of the serve always breaks down the rhythm somewhat because there are more than 2 or 3 things to do.

      That’s why I recommend always throwing or using the Serve Master or balls in a sock as drills that complement the technical part of the serve, since they help re-establish the rhythm.

  • Thank you, Tomaz. You always have great advice. I have not tried this yet — other than shadow swings. However, I wonder for me if it would work better to think, ‘decelerate, accelerate,’ rather than, ‘1,2’. It feels as if I will keep my tossing hand up a little longer on the ‘decelerate’ and have a smooth, faster swing on the ‘accelerate.’

    • Hi Rodney,

      It might work that way too, yes.

      Different people have different approaches that’s why I am glad others are sharing their own so one can experiment and see what works for him.

  • I tried this concept this morning and maybe it was power of suggestion but I served really well! The serve is a struggle for me since I am breaking muscle memory from growing up a side arm thrower. But I did as you suggested and didn’t relax into the toss (a 2 instead of 1), absolutely relaxed or dropped on the take back and then accelerated into the serve.

    I have no idea if my racket drop was good or anything that happened behind my back but the serves were relaxed with lots of great spin, which is what I go for. Sometimes I think I’m overthinking the mechanics in trying to groove a new service motion and it becomes too cerebral. My ball toss rolls off my fingers instead of lifts out of my hand, my feet don’t always come together and the right foot lands to the side, the toss is slightly off, the racket swings out to the side…..quite frankly it’s just too much analysis when the reality is that being totally simplified solves a lot more issues in the swing chain than breaking it down!!!! This was a much better and simpler cue to serve.

    I’m going to continue to practice this cadence. Thank you!

    • Great, thanks for sharing, Christina!

      As I mentioned before, always complement mechanics with flow or rhythm exercises. Mechanics / technique always breaks the natural flow since by its nature it is analytical breaking down of a stroke.

  • Good stuff Tomas,
    This confirms what I already suspected. After reading about the trophy position and subsequent drop I thought I must not be doing the middle part of the serve since I wasn’t very conscious of it. But thinking about “doing it” made things worse. So I took video of myself serving, focusing primarily on the toss/knee bend and then accelerating the racket/pronation and saw that I had been getting a nice drop naturally by just staying relaxed during the transition to swinging up with the edge of my racket. I definitely agree that it’s hard to stay in rhythm and attain the “3” velocity of the racquet head on the final phase if one gets too stiff in the middle phase.
    Thanks,
    Steve

    • Great, Steve, as you mention, no need to be conscious of the middle part. To me the racquet just kind of tilts over from trophy into a drop.

  • Another excellent article. I have been working through your serve course for the last 9 months or so with great results, am serving the best I ever have. I definitely agree about the 1-2 timing as it is very natural. I usually use a 1-and-2 count with the “and” being that transition where nothing is happening other than me letting the racket drop into place. I do have one little thing I do at the bottom of the drop which is to turn my hand slightly so the racket is on edge going back up. Also, I’d like to thank you for taking the time to not only produce the videos but to also to write very comprehensive accompanying articles as well. I print those out and keep them in my Feel Tennis notebook for a little light bedside reading…..

  • This is an awesome analogy. Is this also true with the rest of the strokes when it comes to rhythm? The 2-1-3 analogy really makes a lot of sense in developing a loose and powerful swing. Thank you.

      • great article Tomaz. i too tend to rush not only my service motion but also the time in between serves when facing a superior player or in a tight match. finding the rhythm of the serve makes sense. do you have an approach or technique for also the flow or timing in between serves as well? thanks again.

        • Hi Jon,

          That’s a problem that basically everyone faces and it’s a very good question.

          I like to work on causes and symptoms.

          The cause is that you want to hit a better serve than usual. That will make you rush it and actually serve WORSE than if you just served normally.

          This logic might help you deal with it and convince yourself to serve just as usual.

          The method all pros use to maintain their rhythm and flow is the ritual where they follow exactly the same procedure when it comes to bouncing the ball, fixing their shirt (Nadal?), breathing patterns and following exactly the same timings of their serve.

          You want to access your automatic serve and just do it and not keep changing your serve depending on the opponent or the score.

          Take a look at the rituals of the pros and then develop one for yourself. Make sure you focus on calm breathing while you’re doing that.

  • Hi Tomaz – I coach adults and juniors in a small club and have been following your articles and videos for a quite a few years now. I’m really drawn to your emphasis on ‘feel’ and it’s a concept that I make the basis of my coaching. Over the years, I’ve used a counting method to encourage players to feel the rhythm of their serves. For me it’s about contacting on a count of four although the first beat is the weight starting to shift backwards with two being the release of the ball and three the point where the racket shoulder drops to form the trophy position. Whether it’s three and half or four beats, one other real advantage of counting is that it starts to make players aware of how high their ball toss needs to be in order that they can evenly maintain their rhythm. Although some of the younger players aren’t familiar with his game, I often talk about John McEnroe’s serve as being a great example of how a serve could start really slowly and the accelerate. At the start of his serve, it was as though someone had pressed a pause button! Thanks for all your help and ideas.

    • Thanks for sharing, Alan.

      It’s always great to get more ideas flowing so that readers can experiment them and see if they prefer McEnroe rhythm, Federer rhythm or perhaps Ivanisevic / Leconte / Dolgopolov rhyhtm.

  • Hi Tomaz,
    Last night I was playing doubles, and your thought on rhythm made such an improvement.

    I have a good serve, but it seemed like I wasn’t having enough time to get more of a loose and full racket drop…

    When I thought of your video on rhythm, in particular to slow down before the tipping point or drop.

    It was the solution, because I had already found the swing path leading to the trophy position and drop.

    Now that I slowed down the take back in a relaxed slower rhythm, I had more time to get a natural free flowing feel through the drop.

    Then then speed up with great racket head speed at contact.

    Thanks again for a hall mark tip, I will always have with me when serving.

    I’m thinking of returning in Lithuania in a few years. I could get over to Slovenia some time for a personal lesson with you.

    • Great to hear, Ged.

      Thanks for sharing your experiences and the improvement which hopefully inspires other tennis players reading this to follow your advice.

      • Thanks Tomaz, nice to hear that.
        When I lived in Klaipeda Lithuania, I had a good friend who was the teaching pro for the former Lithuanian #1, Murashka.

        The teachers name Roma’s Revutis.
        He realy taught so little on technique, he has good drills, and is good at teaching mental toughness and competitiveness.

        I think as your teaching spreads through Slovenia and Eastern Europe, you will have more top ATP players.

  • As with most things in tennis, to make the ball go faster, you need to slow down, relax and stay inside yourself!

    one, pause, two!

    It works for the serve. Now I’ll try it for a ground stroke.

    Nice.

    Thanks

    Q

  • Don’t know if you said it on purpose, but while showing us your serve you said “One and Two!” The AND is the time delay! Thanks it works!

    Q

  • I find the “do nothing” part in the middle difficult to do, because gravity keeps the tossed ball moving, it doesn’t “do nothing”, so I’m having a hard timing waiting because at some point it could be too late to hit the ball and I would rush the stroke, which is what I’m trying to get away from.
    Thanks!

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